During their field recording sessions in fall 1940, John A. and Ruby T. Lomax visited the Lufkin area collecting songs that ranged from gospel music to blues to popular 19th century tunes.
In Keltys, a lumber mill town then just outside of Lufkin, instead of documenting work songs they had found in other company towns and camps, the Lomaxes recorded the Angelina Four singing harmonies and spiritual music. Four African American men comprising the quartet worked for the Angelina County Lumber Company in Keltys but according to the Lomaxes' catalogued materials, the only song likely associated with their work was "Angelina Longleaf Pine," which was identified as a "singing commercial." Three of the quartet lived in the "Negro quarters," an area on the east side of Keltys for African American employees. The fourth member of the quartet, Alphonso H. Charlton, worked at the lumber mill but lived just outside Keltys.
In addition to the commercial, the Angelina Four recorded 14 other songs, including "Pullman Passenger Train," "When I Was a Little Boy," and several spirituals. On six of the quartet's gospel recordings, Bess Lomax, John's daughter who was then in her late teens, is listed as a "recordist" indicating she may have joined her father and stepmother for part of their 1940 tour.
Within the city limits of Lufkin, the Lomaxes recorded three songs performed by Lillie Cochran Stegall, a 70-year-old white woman who was married to a former teacher and justice of the peace. Stegall shared popular songs from the 19th century, including the minstrel piece, "Mary's Gone wid de Coon."
While in Lufkin, they also recorded a dozen songs with a professional musician identified as Finous "Flat Foot" Rockmore who likely spelled his last name as "Roquemore." Rockmore played guitar as he performed blues, folk music and at least one work song listed as "Levee Work Song" in the Lomaxes' records. Rockmore, who noted in 1942 that he played in "a string band about" Lufkin, also recorded two monologues which reflect John Lomax's interest in documenting oral history, an effort he emphasized while working for the Federal Writers' Project four years earlier.